Good Old Days

from Where the Light Ends by Bradford Loomis

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    Bradford Loomis - Vocals, acoustic guitar
    Matt Terjeson - Bass (Stories)
    Mark Alvis - Drums
    Brett Thompson - Electric guitar (Swinging Bell)
    Kristen Palmer - Backing vocals (Rambling Man, Evangeline, Swinging Bell, Righteous Kind, Water and Wine)
    Stephanie Anne Johnson - Backing vocals (Rambling Man, Evangeline, The Break, Righteous Kind, Stories)
    Zarni deVette - Backing vocals (Chasing Stable)
    Natalie Schlabs - Backing vocals (Treading Water)
    Jenn Grinels - Vocals (Take a Swing)
    Brandon Bee - Drums (Good Old Days), electric guitar, bass, piano, keys, backing vocals, harmonium, glockenspiel and banjo
    Matt Terjeson - Sound Engineer
    Nick Bearden - Additional Engineering on Treading Water
    Troy Glessner - Mastering Engineer
    Brandon Bee - Production and Mixing

    Includes unlimited streaming of Where the Light Ends via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.     ... more
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    Get all 13 Bradford Loomis releases available on Bandcamp and save 20%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of America, Built For This, Around the Sun, Everybody Needs A Place, Stories (Live), Joy to the World, Where the Light Ends, Live at the Red Clay Foundry, and 5 more. , and , .

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lyrics

I want to run with a rat pack of misfits
Playing the blues with my brothers on a mission
Bending the strings till Jimi brings me back to life

I want to wear a pair of dark sunglasses
Dressed in black, Johnny Cash badass, no selling out
But I’m selling out the Grand Old Opry, like nobody gonna stop me on a Saturday night

I want to cut loose like there’s nothing to prove, just like they used to do in them good old days
I want to sing like there’s nobody listening, it ain’t too late to make today them good old days

Want to be a, bad to the bone, juke box shaker
A back to the future history maker
I want to go where there ain’t no roads to hold me

I want to play in a rock n roll circus, I want to feel like for once I deserve this
I’ve been down this heartworn highway I’m gonna make it, gonna be somebody my way

I want to cut loose like there’s nothing to prove, just like they used to do in them good old days
I want to sing like there’s nobody listening, it ain’t too late to make today them good old days

I want to put on a show like I’m Springsteen’s rival, burn up the stage like a tent revival
Like Jesus and Petty and all of my American idols

I want to cut loose like there’s nothing to prove, just like they used to do in them good old days
I want to sing like there’s nobody listening, it ain’t too late to make today them good old days
It ain’t too late to make today them good old days
It’s never too late to make today them good old days

℗© 2019 Austin Jenckes and Bradford Loomis Lineage Artistry Publishing

credits

from Where the Light Ends, released October 11, 2019
Good Old Days - written by Bradford Loomis and Austin Jenckes
Bradford Loomis - Vocals, acoustic guitar
Matt Terjeson - Bass (Stories)
Mark Alvis - Drums
Brett Thompson - Electric guitar (Swinging Bell)
Kristen Palmer - Backing vocals (Rambling Man, Evangeline, Swinging Bell, Righteous Kind, Water and Wine)
Stephanie Anne Johnson - Backing vocals (Rambling Man, Evangeline, The Break, Righteous Kind, Stories)
Zarni deVette - Backing vocals (Chasing Stable)
Natalie Schlabs - Backing vocals (Treading Water)
Jenn Grinels - Vocals (Take a Swing)
Brandon Bee - Drums (Good Old Days), electric guitar, bass, piano, keys, backing vocals, harmonium, glockenspiel and banjo
Matt Terjeson - Sound Engineer
Nick Bearden - Additional Engineering on Treading Water
Troy Glessner - Mastering Engineer
Brandon Bee - Production and Mixing

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Bradford Loomis Nashville, Tennessee

Brad marries grit and melody to dig to the roots of American folklore and speak of the raw reality of the human condition with soul, passion, and hope. Brad’s stories span a lifetime of relatable emotions, be it the bitterness of loss, the deep longing of regret, the enduring hope of love, or the elation of joy. ... more

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